Search results for "Portable art"
showing 3 items of 3 documents
Debitage by fracturing in the osseous industry of Cova del Parpalló (Gandía-Valencia, Spain): A preliminary study
2016
Abstract The excavations carried out by L. Pericot from 1929 to 1931 in the Cova del Parpallo documented the Gravettian in the base, a Solutrean layer, and a Magdalenian. This sequences comprise an exceptional assemblage of portable art because of the number of plaquets/objects and the great chronological amplitude. With all this information, Parpallo was included in the reduced list of reference sites to organize the European Upper Paleolithic sequence in the first half of the 20th century. The Magdalenian layers were organized in four phases, following H. Breuil's classical proposal. Changes in bases morphology and decorative topics on osseous points permitted this correlation, identifyin…
A Unique Collection of Palaeolithic Painted Portable Art: Characterization of Red and Yellow Pigments from the Parpalló Cave (Spain).
2016
In this work we analyze the pigments used in the decoration of red and yellow motifs present in the portable art of the Parpallo Cave (Gandia, Spain), one of the most important Palaeolithic sites in the Spanish Mediterranean region. Energy dispersive X-ray fluorescence spectrometry (EDXRF) and spectrophotometry in the visible region (CIEL*a*b*color coordinates and spectral reflectance curves) were used to perform in situ fast analyses of the red and yellow motifs with portable equipment and to characterize their elemental composition and their colorimetric perception, respectively. According to the elemental composition, the intensity of the fluorescence iron signals in red and yellow motif…
La placa grabada de Balma Guilanyà (Prepirineo de Lleida) y las manifestaciones artísticas del Mesolítico de la Península Ibérica
2011
A carved rock with geometric and/or abstract signs discovered at the Balma Guilanyà site has made possible the analysis of the artistic patterns developed after the end of the Upper Palaeolithic in the Iberian Mediterranean region. Archaeo-stratigraphic, chronometric and chrono-cultural attributes link this finding to the Mesolithic, probably during the tenth millennium cal BP. Graphic analysis and the comparison with different kinds of representations from this same area allows the evaluation of the problematic that surrounds the characterization of West Mediterranean Mesolithic art.